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As containers full of freshly harvested grapes teeter along roads across the region, we ask
regular contributor, vigneron Simon Coulshaw, for his take on the ingredients not always listed
on the label that go into making wine…

 

THE SCENE:


LA “CAVE ATEMPTOR” SOMEWHERE IN THE WORLD

Two wine enthusiasts / geeks coming over all Jilly Gouldenesque whilst sampling the wines from the above mentioned Cave.
“I’m getting a hint of pub carpet and just a faint blush of Baboon armpit......no wait a minute, no it’s not Baboon, no, no it’s actually Gibbon armpit, probably the left.”
“Yes, I’m with you and I’m fi nding also a soupcon of fi sh bladder, a frisson of carbon followed by a satisfying burst of bovine liver on the fi nish.”
Followed by much stroking of beards etc............

 

All pretty absurd I hear you say and so it is yet the second comment is not quite as loony as it appears, indeed the Cave in question should be in fact a warning to all buyers as they would certainly not be alone in being guilty off adding all sorts to their wine whilst keeping the customer in blissful ignorance. It’s a fact that under EU laws written by litigators in order to protect against litigation, nearly all wine additives have no requirement to be listed on labels. Strange but true!


The most common substances added to wine are probably sugar, tartaric acid, potassium carbonate,
citric acid, ascorbic acid, cultivated yeasts, enzymes (of which there are hundreds) and of course sulphites, the only product the winery must put on the label. These products are added in an attempt
to improve the wines desirability by changing its character, often quite radically and to protect the wine against spoilage. 


Unfortunately buying Bio certifi ed (organic) wines does not protect the consumer from these additives, as most of them are authorised for use. 

 

Now I don’t have a problem with adding something like sulphur dioxide (the sulphites) to a wine to help keep the wine clean and without fault as long as it’s added in minimal doses. I do not agree however that sulphur dioxide should be added liberally in order to correct poor wine making habits and a lack of hygiene.


As for adding acid (normally tartaric in powder form), or potassium carbonate to de-acidify, cultivated yeasts to give notes like “black current” or “pear drop” or whatever else to the wine, enzymes (yes, sometimes extracted from a cow’s liver) that perform all sorts of roles, some necessary but all too
often to change the profi le of the wine; well let’s just say I’m not a fan. If you pick high quality, healthy fruit from great vineyards at the right time and vinify and blend it it correctly, you will produce fruit forward, wellbalanced wines with no need for adulteration and all the more satisfying for it. I know that “natural wines” (an uncertifi ed wine making philosophy involving winemakers who believe in minimal intervention) get a lot of stick, probably most of it justifi ed for being over priced and quite
often a bit fi zzy, a little animal or dirty tasting, but at least you know what you will be imbibing is good old fermented grape juice.


A lot of the wine additives used today as in the second critique above, the activated carbon, Isinglass (a collagen extracted from the dried swim bladders of fish) and the cow liver enzyme, Catalase are all used to help clarify and stabilise wines and are again, just not necessary. Of course these products will only exist in the wine in minute doses and are completely undetectable aromatically or taste wise, but the application of temperature control in most cases will achieve the same result. Maybe not as sure fire but I’d rather take the risk and perhaps one day drink a wine with a slight haze and know it’s natural, but on that point I suspect I’m in the minority.

 

A product known as Velcorin, chemically, dimethyl dicarbonate, used to sterilise wine, is so toxic it will burn your skin and is potentially fatal if inhaled. Yes again it’s added in small doses and completely breaks down in the wine, but even so I’d rather not take the risk. So if you can fi nd naturally made wines that are clean, of high quality and affordable, even if there may be a small premium to pay, I think you’re on to a good thing. We’re very fortunate here in the Languedoc, as it’s an area that is truly at the heart of global natural wine production.


In conclusion, additives that are used to stabilise and protect the wines are often added unnecessarily and is the result of “safety fi rst” winemaking. Not great, but perhaps understandable. The trick is, is to work hygienically and only add something to help the wine that is as natural as possible and at the lowest feasible dose when absolutely critical. Products that are added to essentially change the profi le of the wine, hide its faults and hoodwink the customer, are in my opinion unacceptable. In both cases
these products should certainly be listed on the label in order to help the wine drinking public make an
informed purchasing decision

.
As a self confi rmed “natural winemaker” working as sensibly as possible in an attempt to bring “terroir”
driven, fruit forward wines to the market, I can in no way claim to be impartial on this subject. There are of course, horses for courses and every opinion is valid but at least it would be nice to have some transparency in letting the public know what they have chosen to drink.


Caveat Emptor!

Wine (Additions)

 

 

At the beginning we had absolutely nothing. Everybody who got involved did it for free. Four technicians, up to twenty actors in some episodes. A friend, Stephane Bouyer, agreed to lend us his SLR camera (Canon 5D), 3 lenses and some lights. Another friend, Thomas Laporte, gave us access to the costumes in his workshop. We made some of them ourselves.  When everybody is working for free, that means everyone has a job on the side, which means you always have to juggle with each other's schedule and it can get complicated. Everything takes time. We had a sound technician who would disappear without warning, from one day to the next, with no explanation. That caused a lot of problems later and we had to dob all the episodes... But still we were lucky. So many people helped. Special effects, make up, combat choreography... we managed with almost no money to create something as close as possible to professional quality.

 

In the end, the money we had from Romain got used for renting a truck to carry all the equipment from one place to the next when we were going far, for gas, for food, for all the things that cannot be planned ahead for and which had to be dealt with urgently. Of course I wish we’d had more money to be able to pay everyone, even if just a bit.

 

Will there be a second season?

 

Of course there will be a second season. The first season took so much energy and time for me that I had a period of doubt – should I direct it, or let someone else do it? Not anymore. At the moment, together with Christophe Robin, we are re-writing the script, because I want it to be perfect. The first season was a blast but it had a lot of small problems, defects... I learned from them. Hopefully we will make it happen at the beginning of 2014.

 

Are finances a problem?

 

Finances are a false problem. They should not be an excuse to not create. I am confident money can be found. Fans can donate money from the web site. I hope to find some generous donors who want to get involved! I am trying to make a system, like a permanent crowd-funding system for the series. I‘m waiting for the right moment too.

 

Noob, the oldest French web series, broke the European records of crowd-funding by raising 682 161€ in only 70 days through the web site Ulule. What do you think about it?

 

That's an amazing achievement and it’s going to help all of us, by making web-series more credible in France. Main-stream TV channels in this country don't want to trust web-series. It's only the beginning and mentalities need to evolve here. Producers should look at what we have been able to achieve with just 1,200 Euros and picture what we could make with a real budget. Unfortunately, so far, none of them have seen it.

 

How can attitudes change?

 

I’m really hoping some American or English web-series gets extremely famous and successful. Maybe then it will also happen in France.

 

This year, for the very first time, there's going to be a festival for Francophone web-series, with a real price distribution. It will take place during the Toulouse Game Show (TGS, November 30th to December 1st) – hopefully that also will help. 

 

Any English web-series you recommend?

 

The Guild is an American web-series we liked, Inspector Spacetime an English one, a parody of Doctor Who. Of course we know the French one better because we go to all the conventions. Today there are new kids making amazing web-series, they are the new generation. They love cinema, they want to make web-series and assume its homemade status. It's an amazing way to create with no boundaries. To be free from the politically correct. Sometimes this can be lost if the wrong people finance your project. 

 

To discover the first season of  “Another Hero,” which has also been shown on the cable channel “No Life” go to http://www.another-hero.com/ … and don't hesitate to help them out.

The HAT (Herault & Aude Times) - The English language magazine in the south of France (Languedoc)

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